Designer Q&A: Eric Trine

We sit down for a very insightful Q&A with the "Maker of Things", Eric Trine. Eric Trine, 29-years-old Educational Background: BFA Sculpture - Biola University 2007. MFA Candidate ('13) in Applied Craft and Design - Pacific Northwest College of Art and Oregon College of Art and Craft.

How did you discover your passion for making furniture? I discovered my passion for making furniture by actually making furniture. I have a passion for making - and with furniture it's nice that the things I can make can actually be used in a functional way. So, I like the making of the item but I really enjoy seeing what happens to it after it's made. I love seeing how people enjoy my pieces - how they put them to use.

What is your day-to-day work life like?

Well, this year has been tricky because I'm in graduate school - and I'm on summer break right now. So I'm just trying to crank out as much work as possible before I have to start again in the fall. My ideal working schedule is to work from home in the morning then head into the studio from about noon to 8pm and work on projects. In the mornings I like to read, respond to emails, think, and then I'll get to the studio and prep for a few hours, and then I'll work non-stop for about 4-5 hours.

Does what you studied in school apply to your current job? If not, where did you learn the skills you use at work?

Some things apply but there are different criteria at play in school vs. the marketplace. An object can get an A+ in a classroom but it doesn't mean it's ever going to sell in the real world. Similarly, a lot of objects that get made and sold out there would literally flunk you out of art school. I'm really interested in finding the crossover space - where the world of fine art and commercial art collide. Making a living making stuff is really hard to do - it's hard to find that sweet spot of feeling comfortable about the business of art. I think that's the main reason I do so much "applied art" these days (the furniture and stuff). It's easier for me to be comfortable about my work when I know there is a specific applied purpose for it.

What inspires you? Thrift stores, garage sales, antique malls and flea markets. It's not about finding old stuff or nostalgia for me, it's about finding stuff that doesn't have a name or a brand associated with it. I love finding weird one-offs. Right now I'm super into old crappy ceramics - the kind of pieces that students make in high school ceramics classes and they give it to Grandma as a Christmas present. You know, the types of things that sit in a garage until they have a garage sale, and then after no one buys it it gets donated to Goodwill, and then it sits on the shelf for years. I guess I'm inspired by the stories behind things but as you can tell I also like to make the stories up myself! I also love just walking around hardware stores or lumber yards. I like to look at raw materials rather than finished pieces.

The Best part of your job:

Making stuff for people to enjoy in their homes. I love that I get to be a part of shaping their home experience.

The most challenging thing about your job:

Making money - it's really difficult to actually figure out a way to make money making handmade things. I'm doing well enough to take care of myself, but to actually support a family is really difficult.

Any other industrial/furniture designers you like?

I really enjoy work being done by some of my peers up here in Portland - Grant McGavin, Phloem Studio, Jason Rens to name a few.

Do you and your wife have favorite spots to vacation or travel in America?

We haven't done nearly as much traveling as we would like, but who does? When we lived in Southern California, we really enjoyed going up the coast to San Luis Obispo/Morro Bay area. We recently did a drive along the Northern California/Southern Oregon coast and that was absolutely amazing. We loved that!

What advice would you give to budding entrepreneurs?

1. Learn how and when to say Yes and No. It's important to know exactly why you are saying yes or no - know the criteria that's operating behind your decisions. Are you doing this project for a good cause, or for money? It's totally fine to take on a project just to make money as long as you know that you're taking on the project just to make money. The problem comes when you are trying to satisfy competing criteria.

2. Work smart and as hard as you can.

What is the most important thing you have learned since starting and running your own successful business?

Definitely the answer I gave to the question above: Knowing why I'm saying yes or no to an opportunity or project has been so key.

Best moment of your career so far?

I think it's been an accumulation of all the little moments - making custom furniture for people is really satisfying. Getting little write-ups on blogs or in print has been awesome. Getting to work for awesome companies and people, like Poketo, has been really rewarding.

Roots in Rust Q+A

Name: Zsuzsanna Barbu

Age: 37

Residence: Brooklyn, NY

Favorite thing about NY: I'm from a European small town so I always crave the simplicity of that lifestyle. However, having lived in New York for almost 10 years - and especially now as a small business owner - it would be hard to imagine life without the conveniences of having everything at my fingertips from food delivery to doggie day care.

Ok, we have to ask - how did you get into air plants, of all things? Did it start as a hobby? I had played around with making mini succulent gardens for a while using vintage boxes, tins, flour sifters, and anything that I thought was fun. I came across air plants when I bought two little ones for my husband and I was instantly in love with them. Within a few months we ended up with a large collection, and after some research and experimentation I started gifting arrangements to friends and family. In the meanwhile, I closely monitored their subtle transformations, admired their flowers, witnessed their offsetting process (they grow little baby plants at their bases), and started to realize their potential. They are amazingly versatile, resilient, very easy to maintain, and ship. They are also the perfect plants for city living so it was a no-brainer to add them into the mix of my creations. My friends and family encouraged me to start selling the arrangements, so I did. That's how Roots in Rust was born.

How and when did you decide to turn this into a living? Since I was a little girl, I always wanted to do something creative. At the end of 2011 my old company started consolidating roles, and while I enjoyed working for them for the previous 6 years, this specific position was not for me. I took this as a sign that it was time to finally put my creativity to work.

What was life before Roots in Rust? - as I mentioned, I was working in the corporate world. I worked the standard 50+ hours a week (I don't think anyone works 9-5 anymore), and spent my weekends hiking and biking with my husband and our friends, and the rest of my free time with making vintage decor and plant arrangements. I will admit that one benefit of a "regular" job was that it provided a clearer separation between work and leisure, which is something that I miss.

What inspires your designs? What inspires you in your career? - Seeing beautiful old objects laying around without a purpose felt like such a waste, so I began finding ways to give them new functionality. I love to create unique, organic pieces and my goal is to only "mold" them as much as necessary while still communicate their origin. I visited Paris for the first time when I was 17 and have been in love with its gorgeous wrought iron balcony railings covered with ivy and beautiful flowers. The curves, the patterns, the gracefulness of the designs are breathtaking. Those memories started me on the road of reusing wrought iron fence and ornate window guard pieces in my Architectural collection. Using parts of old tools and objects are an homage to my grandparents' farm where I spent my childhood summers. These arrangements make up my Industrial, Barnyard, and Vintage lines. In addition to the planters, I also make soap dispensers out of antique mason jars, clocks out of saw blades, and other fun, repurposed home decor. There is something really intimate about creating with materials and objects that were made and used a long-long time ago. The process is also environmentally responsible which is very important to me.

Describe how your pieces come about - do you begin with a specific idea or vision, and search for the item (a windowpane, a block etc) or do you scavenge old materials with an open mind? - It depends. With the windows the idea was first. My husband and I turned an old church window into a mirror for our home, and I knew I wanted to use old window frames in my work somehow. So I ended up with several different designs including the "Terrarium" and the "Floating" windows, which are two of my best sellers today. Alphabet blocks are the perfect way to create personalized, fun planters that people love for themselves as well as to gift.

On the other hand, I often come across beautiful, raw objects and I immediately see their potential. The challenge is to match the right plant with the right piece not only aesthetically, but to be sure they complement each other in size and shape. I love to work with my hands so the process of reviving old objects is also really gratifying.

What does your typical day look like? - after breakfast I head to the studio to work on new designs, take photographs, saw, drill, paint, water the plants, or get ready for the next show. Around 2 I head home to grab lunch and walk Pepper, our doggie. We go to the park for an hour or so then play at home for a bit. Then I either go back to the studio or get on the computer. I answer emails, print labels for online orders, work on my website, edit photos, do accounting, and everything that involves sitting at a desk. Which is A LOT. I take a break for dinner around 7 and spend time with my husband. After this downtime I sometimes go back to work until about 10:30.

What is the most rewarding thing about having your own company? Seeing my customers' faces light up when they see my work. Getting excited emails and photos about how they displayed them, how much they love and appreciate the artistic element in what I do. I feel that in today's world - more than ever - it is essential to build relationships with your customer. Like Seth Godin puts it: ""We are in an era of handmade insights, of human beings who touch other human beings in some way, making change happen". I'd like to think that I contribute to this process.

What do you know now that you wish you knew as you were building your company? My Mom is a children's clothing designer so I thought I was familiar with the "non-stop" nature of a small business. But in truth, nothing can prepare you for the 24/7. You have to be extremely disciplined to not lose control, and since I'm a type-A personality, I was in for a big surprise when I had to realize that I just can't do it all. I had to learn to let go of certain things from keeping the house neat all the time, to responding to every email within an hour. And the most important thing is to always find time for family and friends.

What's next for Roots in Rust? - The ultimate goal is to launch my own line of planters by early Summer. I have so many ideas and now I feel ready to bring some of them to reality. I'm very excited about this and - without giving away too much - I can tell you that I'm going to continue using reclaimed materials. I'll also be adding some that I haven't used before, which makes the process all the more exciting. I'm planning to do some more custom installations, and - if I have time left - I'd like to start a corporate gift line. It will be a busy year!

Designer Q&A: VERAMEAT

Name: Vera Meat Age: 25 Neighborhood of residence: East Village NYC Favorite thing about NY: The smell of tea, pee, ice cream, cigarettes, sex & expensive cologne all mixed together & that’s before you open the front door of your building to take on the day.

What made you switch gears from modeling into jewelry design?

I think any child of immigrants who studies so much she forgets to color her hair or cut it, who has so many allergies her body won’t store fat, who cares so little about others opinions of her she’ll throw an attitude at anyone - that kid can model.  But not just anyone can make a Dino Eating Fried Chicken ring. Also the modeling industry has no child labor laws. So at 14 years old I was working 12 hour days & 70 hour weeks. That’s not good for even the most naturally flawless complexion. Also I’ve always wanted to have my own business as my parents always had their own business.

Did you have any formal training in design?

No, I’m lucky to say I was just inspired by my Mom weaving really strange sweaters on an old machine she got as a gift & my Dad making pins. Friends’ art work always inspired me. People’s street styles while I was traveling as a kid inspired me, especially in street caves of hilly Finland, women in the markets of Rome, Austria’s country side & the swimsuits of the Black Sea. Also, animals, natural cloths & accessories. Like bird plumage, cat and dog nails, animal mutations like Cyclops kitty & writers/artists of our time.

What else inspires you?

My mascot & puppy dog Fred. My friends, who have so much energy, and my strange family who has roots all over the world in so many different cultures.

For up-and-coming students and designers reading this, how were you able to open your first store? And then grow into multiple locations?

Well I’ve always been lucky and just happened upon the great location of 315 E 9^th St in the East Village. I lived nearby so I wanted to work near my home. Then my old landlord had a store open up in Williamsburg. Since we were friendly, he offered the space to me; N. 5th near Bedford is really a dream location in Brooklyn so I jumped in.

You come from a family with nontraditional careers, and have lived all over the world. How does your eclectic upbringing play into your art?

Well it’s hard to say what came first - the chicken or the egg!

Where is your studio?

On 14^th Street near 1^st Ave. in the East Village

What does your typical day look like?

Feed Puppy Fred, start work on a new design,  meet with Operations Manager Megan, get breakfast in the hood, visit one of my stores to see if my girls need anything, do a photoshoot or interview. It really depends on the day; go to an art gallery, museum party, you know - NY living.

Tell us how you take an idea and turn it into a product.

Does a zebra reveal it’s spots? No - it just limps away.

You just opened a new store in Brooklyn. What are the plans for Verameat’s future?

We’d love to open another store, debut our new driving gloves & wallets. We are making other accessories, not just jewelry. Check out Facebook page for details & updates!

As a small business owner and designer, what are your top resources that help in your day-to-day?

Greenerprinter is great for recycled cards. I love Instagram. Check ours here http://statigr.am/tag/verameat

What advice would you give to entrepreneurs that you wish someone had told you?

Always have fun, anywhere, everywhere - no matter what.

Katie Gallagher at NYFW

26-year old budding designer Katie Gallagher debuted her 7th collection, “Everything Forever”, at the Standard Hotel during New York Fashion Week. A RISD alum, Gallagher has proven herself as a rising star in NY after snagging the attention and advocacy of NY Times T-Magazine and fashion influentials like Daphne Guinness and Nicola Formichetti

“Everything Forever” stayed true to her defining aesthetic; it was sophistication without pretention, downtown chic without any effort, and art at its best. Models lined a stark white runway in cool cut-outs and rich materials like kangaroo leather, lambskin, and lycra-wool. Despite the minimalist look and neutral tones, Katie added interest by infusing the clothes with unusual textures.

In Katie’s words, the line sprung from the concept of rebirth and purity and the idea that “everything we do is in us forever”.

Check out our exclusive photos from Katie’s NYFW presentation:

Header image via the ride

Caroline Hurley is Rad

As soon as I saw Caroline Zucchero Hurley's jewelry I developed a big crush. Then I saw her hand-printed linens and I coveted each and every one. Then I discovered her colorful, modern, playful oil paintings and I thought, "Really? One girl with all this talent?!" Yep. Turns out the multi-talented artist has quite a cast of admirers including Lucky, Design*Sponge and Wax Magazine. The admiration is well-deserved – some of Caroline's achievements include an Anderson Ranch Residency, an Artist Grant from Brown University and a VCCA residency. So how does a girl who grew up in Memphis and did everything from being a personal assistant to working in PR and finance to working as a tutor become such a successful fine artist, who also has a chic product line? For starters it helps that her entire family is creative ("My mom teaches creativity, one of my sisters is an architect and the other is a graphic designer.") and that they traveled around the world while she was growing-up. One thing I found interesting after talking with her is that at a very young age she was a natural entrepreneur, making her own rules and hustling for herself — as a girl she would sell puffy-paint adorned clothing and lemonade to her neighbors That entrepreneurial spirit has done well for her! I hope you too will fall for Caroline's work… I asked her to share her experience, insight and advice as an artist and an entrepreneur. Enjoy!

Name: Caroline Zucchero Hurley

Age: 30

Occupation: Artist/Designer

Home: New York

Website: www.carolinezhurley.com

Best part of your job:

I love that I get to play every day and do what I love.  I really do try to bring that sense of fun in to studio and everything I make.

Most challenging aspect of your job:

The most challenging part for me is the organization part; I am realizing more and more that to run and operate your own business you have to be super organized (which does not come naturally to me!!). I've really had to work on filling orders/invoices, collecting receipts, keeping a catalogue of what has sold, etc. Like many entrepreneurs, aside from actually making my art and products I do everything myself: website design and maintenance, logo design, photography, etc. so it's a lot of work. My dream is that someday I will be able to have a team of people working with me so that I can focus all my energy on the creative part, but for now this works. I think its good to know how to do everything yourself, it builds confidence.

Did you go to school or get formal training for what you do now?

Yes, I went to RISD as a Painting major.

What advice would you give someone just graduating from art school?

Be open minded! Don't take yourself too seriously, travel a lot and stay in close contact with your artist/designer pals. It's really nice to have a network of people in the same field.

You're a fine artist who has also started making your own product line on the side. Most artists don't like the actual 'selling' aspect and leave it to their gallery reps or agents to do that part, but with your line you sell direct to the public or trade yourself. What prompted you to do that?

For me, both my fine art and products are part of the same thing. I grew up in a really creative household and my siblings and I would make art projects constantly. We created neighborhood productions where we would write a play, make all the sets and costumes and charge admission (my old neighbors still remember the events). I remember setting up a stand on my street and selling puff-painted and stenciled t-shirts, lemonade, and repurposed toys that I would paint all pink and sell as sculptures.   In high school I was making bags and I carried it through to RISD. I actually had a little business going, I was selling in a bunch of cities and was featured in Lucky mag and Shop mag and a couple other places. What I am doing now is an extension of that, only now I feel more confident about my designs, who I am, and what kinds of things I want to make.

Do you work in your own studio or a shared space? 

I work in my studio in Dumbo however recently my work has spread to my apartment in Manhattan too. It's great because it means my business is really expanding but I am feeling the need for more space and am sort of dreaming of a beach house where I can make things by the ocean… Maybe someday! There is rarely a time these days where I am not working either on an order to be shipped out or a new idea for a product or painting.

Have you been able to "make a living" as a fine artist in our current economy?

For me a part-time teaching job balances things out and actually helps my process (it's nice to know you have a paycheck coming every two weeks). That's the scariest part about being an artist, you really don't know if you'll sell a painting or get a big order that month or if you'll be able to pay your rent - but in a way I think that's also what makes the process so cool. You have to figure out a way to make it viable and to make it your own and for each artist that is different, you have to try out a couple different combinations; sometimes it's a part-time job, sometimes it's selling online, sometimes it's applying for grants and residencies. It's all a process and you have to just be open to it and also willing to let it change.

What does a typical work day look like?

Before I head to studio at 1pm, I teach preschool art part-time which I have realized has helped my art making process immensely. I basically go into work and act like a clown, throw glitter everywhere and make cool projects with kids from 9am - 1pm. Then I head straight to studio. It's cool because I get to design the curriculum and do what ever I want, so lots of times I will bring projects that I play with in studio to the school and vise versa. The necklaces I make are an inspiration from my class: we made pasta necklaces and the kids were SO cool - supper drippy and painty with these rad colors - so I tried them out in my studio. I really didn't expect for much to come of the jewelry to be honest, I started wearing them and making them for friends and walked in to JF and Son (a cool store in NYC) and the owner saw my necklace and asked to sell it! So from there I got press and people asked for orders, and then more stores approached me, etc.

What inspires you?

I LOVE the beach and I love to play! (I sound like a kid, ha!)  I guess I am most inspired by color which is why I try to take one big trip a year to gather inspiration. It's amazing how traveling can open you up. Sometimes my eye gets so used to the colors of NYC that I forget to really look at things, so traveling jolts me out of that. Last year I traveled to Bali with some pals from RISD and it was the main reason for my exploration into textiles. The Balinese have the best sense of pattern and I was really blown away by the colors there, it was unlike anything I had ever seen, I swear the air had a golden blue tint to it. This year I am planning to go to India to explore more textiles. I am venturing into home products now too so I am really looking forward to seeing that part of the world.

Any advice to future entrepreneurs?

Believe in yourself and keep at it. It's hard sometimes but doubt can really get in the way of productivity.

What is the most important thing you've learned about starting and maintaining your own business?

Pace yourself and try to keep organized. And travel often!

To see more pictures of Caroline Hurley's studio and other design spaces, visit our Studio Snapshots board on Pinterest!

Designer Q&A: Sadie & Emma

To conclude our pre-holiday 2011 Designer Q&As, we have a great interview with the founders of Sadie & Emma, yup you guessed it - Sadie and Emma.

Founders: Sadie and Emma

Website: www.sadieandemma.com

Favorite thing about LA? The mountains!!!

What do you make? Hand-thrown pottery in Los Angeles

How long have you been in business? Almost 2 years

What inspired you to start your line? Hand-thrown pots are way more awesome than machine made pots and we wanted people to have access to this awesomeness. We also want to participate in creating local culture and supporting local food. Meals cooked using farmers' market ingredients deserve to be served on local pottery.

What makes your products special? Our hand-crafted local pottery is made with lots of love and care. We formulate all of our glazes to fit the clay bodies perfectly, unlike typical pottery with glazes that just float awkwardly on top. Our pots have a wonderful, supple texture and we devote much time to designing cups and bowls to have forms that feel nice in your hand. The pots have personality making them human objects for humans. Also, our studio practices are super environmentally friendly.

Have you had any (major) recognition? We were featured on LA Egoist and Re-nest blog.

Where are your products sold? Reform School in Los Angeles and soon we will be in Plum Goods of Santa Barbara

As a Small Business owner what are the challenges you face? The greatest challenge is balancing all of our other commitments and getting things done for the pottery. We also wish there was more demand for locally manufactured home goods, we are excited because this demand seems to be growing.

If you can give 1 piece of an advice to someone starting their own line what would that be? Be creative so your initial overhead is as low as possible and make beautiful useful things.

What are your plans for future? We plan to keep loving each other and spreading love for hand-thrown pottery. Eventually, we want to have a family farm where we can build and experiment with atmospheric kilns.

What are your favorite websites or blogs you go to for an inspiration? pppots.tumblr.com and re-nest.com

Designer Q&A: Superstar Lipline

They say my lip gloss is poppin' my lip gloss is cool... Anyway, our latest designer Q&A features the Superstar Lipline founders/lip gloss aficionados Adrian & Erika Culverson.

Favorite things about LA?

The myriad of cultures, cuisines, the endless cornucopia of shopping experiences, awesome weather and tons of outdoor activities.

What do you make? Super, fabulous lipbalm!

How long have you been in business? Since 2005.

Why did you start your own line? We were inspired by the lip-balms of our childhood. Our mission was simply to create the perfect lipbalm.

How are your products made? Superstar Lipline is proudly made in LA, and is not tested on our furry friends.

Have a fun story about Superstar Lipline? Yep… We were shopping at Hayden-Harnett ( a leather goods store in Brooklyn, NY) while vacationing. We gave a sample to the salesperson because she was so nice and forgot about it. When we got back home to LA, the store owner had already left us a message placing an order for Superstar Lipline.

Where are your products sold? On our website at superstarlipline.com and in various boutiques.

Designer Q&A: wolfum

Check out our second installment of the Designer Q&A segment with Annabel Inganni, the founder of wolfum - a textile line of hand made home goods.

Founder: Annabel Inganni

Website: www.wolfum.com

Favorite thing about LA?

The horticulture - I adore being outside and LA offers so many different environmental experiences. My favorite spot is my yard because my house is nested 'just so' with trees all around and not another house in site! There are birds, coyotes, butterflies and tons and tons of plants…Heaven.

What do you make?

wolfum is a home goods and children's textile line. We offer bold printed throw pillows, napkins, and furniture and have created a technique of printing directly onto hardwood and other materials, resulting in beautiful bookends, coasters and trivets.

How long have you been in business?

wolfum launched in December 2010.

Why did you start wolfum?

As a life long lover of prints and texture, I had worked in apparel design for many years but kept being drawn to the home goods industry. My husband, a furniture designer, offered the opportunity to create a wood product and once we perfected the technique, I was hooked.

What inspired you to start your own line?

I was pregnant at the time that I was designing this first line and much of it was inspired by my daughter. I wanted children's product that would work in our home - timeless, modern, elegant and colorful. I, of course< am also a huge fan of marimekko, vera neumann and vintage table linens. wolfum strives to create products that can grow with your home and family.

What's special about your goods?

wolfum is 100% made in LA. we use organic cotton and FSC certified walnut and limit our packaging all in the attempt to be eco kind. Quality manufacturing and tasteful design insure that the products will last, making durability and longevity the most eco friendly component!

Where are your products sold?

The Hammer Museum bookstore, la la ling (a boutique in Los Feliz), or directly through us at www.wolfum.com. I'm still trying to balance mommyhood and work, once I catch up we hope to have many more wholesale accounts!

Against the Wall!

While most people cringe when talking about wallpaper, I get rosy cheeks. Many of us lived through the 70s and 80s when wallpaper took a turn for the worst, but trust me, the days of floral-covered kitchens and peach polka-dot covered bathrooms are gone! As an interior designer I've been using wallpaper for as long as I can remember - in fact, as cast member on HGTV's Home to Go I became known for incorporating wallpaper into every episode. And just last month I listed not one but two different wallpapers on my wedding registry. Today I thought I'd share and declare my love for wallpaper with the world... I'm saying it loud and clear, "Wallpaper rocks!" The truly awesome thing is that two of my all-time favorite wallpaper companies are American (and you guessed it, proudly make it all here in the States): Hygge & West and Flavor Paper. Enjoy!

Hygge & West wallpapers: 1 Petal Pusher designed by Oh Joy! / 2 Forest Leaves designed by Pattern People / 3 Daydream designed by Julia Rothman / 4 A Stone's Throw Away designed by Oh Joy!

Flavor Paper wallpapers: 1 Vivid Victorian/ 2 ONDA in Saltwater Taffy/ 3 Luxury in Lavendar / 4 Fishnet in white vinyl

Designer Q&A: Graf & Lantz

Join us as we sit down with the founders of Los Angeles based bag and accessory company Graf & Lantz for a quick Q&A.

Founders: Holger Graf and Daniel Lantz

Website: www.graf-lantz.com

Favorite thing about LA?

Holger: The weather.

Daniel: LA is too big to have one favorite thing! But if I have to choose, its the diversity.

What do you make?

A line of bags and home goods made from felt and other natural materials.

How long have you been in business?

3 years

What inspired you to start your line?

Independent thought, quality workmanship and natural textiles.

Why is Graf&Lantz special?

We design and manufacture everything in our design studio right here in Los Angeles.

Anything notable?

We are currently in Henri Bendel! In general Graf & Lantz has had great support from the press and we've recently appeared in Real Simple and People, and we are going to be in Lucky and WWD soon.

Eva Franco's Design Studio

Join us as we hang out at Eva Franco's downtown design studio located in the heart of Downtown LA.

Originally from Hungary, Eva is known best for her intricately designed, vintage inspired skirts and dresses which can be found in over 800 stores, including London and Paris. The best part is that all of her clothes are made right here in LA.

Find out more about Eva Franco at www.evafranco.com